Jewish Museum & Tolerance Center

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Created: 12/10/12
Last Edited: 05/04/14
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Description
The identity programme for the largest museum of its kind in Europe and one of the most technologically advanced museums in Russia
  • Jewish Museum & Tolerance Center 
     
    The $50-million Jewish Museum & Tolerance Center, located at the Constructivist landmark of the former Bakhmetevsky Bus Garage, opened its doors in November 2012. It is considered the largest museum of its kind in Europe (the museum spans over 8,500 square metres). State-of-the-art interactive exhibitions and a 4D movie theatre also make it one of the most technologically advanced museums in Russia. 
     
    The Challenge
    The Jewish Museum & Tolerance Center approached us to help them create a distinct identity that would make the museum stand out and resonate with today’s young people, both Jewish and non-Jewish, and also integrate this identity into the museum space and signage system created by Ralph Appelbaum Associates. 
     
    The Solution 
    The idea behind this identity is based on the notion of three modalities as ways of two cultures as well as two histories (Russian and Jewish) interacting with one another. This correlates perfectly with the museum’s primary objective, which is to tell the tale of Russian history through the eyes of Jewish culture and history to people from all different walks of life as well as social, national and religious groups, and to promote dialogue and mutual understanding between cultures, nations and communities.
     
    The three modalities are:
    Contact – When one culture, either Russian or Jewish, comes into contact with the other.
    Penetration  When one culture penetrates the other.
    Inclusion  When one culture includes the other.
     
    Each modality is used contextually, meaning that on the museum ticket you’ll find the penetration modality, which symbolises the idea of entering the museum building, while the business cards will have the contact modality signifying the initial moment when you establish contact with the person who gives you the business card. This is also the case with the web interface, where you’ll find the inclusion modality signifying interaction.
    For some  media all three modalities can be used. Souvenirs are a good example. They promote the museum throughout the world, thus all three modalities should be used in souvenirs to convey the main graphic concept. 
    Say you’re offering a workshop and you need to put together a presentation: workshops fall into the “information” category, and what does information do? It “touches” you (contact modality) (you come into contact with new information), infiltrates you (penetration modality), and finally sinks in (inclusion modality), so any of the modalities can be used.
     
    THIS IS A VERY SMART IDENTITY SYSTEM THAT AVOIDS BEING PRETTY OR FRIENDLY
    Brand New
     

     
  • Opening ceremony

  • Do check out an article in The New York Times
    and watch a video on DW

  • Stay tuned: 
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